This article explores the role of the video camera operator during the recording of social events, with a specific focus on hatha yoga practice. Drawing from phenomenological and sociological theories, particularly the theory of spacing and synthesis and the concept of “finite provinces of meaning,” the study investigates how the camera operator navigates the multiple “worlds” of yoga practice. Through self-reflection and visual ethnography, the article examines the operator’s influence on the construction and perception of space, the emotional and cognitive challenges encountered, and the ethical considerations of balancing observation with participation. As a methodological tool, video recording not only captures social interactions but also actively shapes them. For this project, 822 minutes, or approximately 14 hours, of recordings were made. By analyzing both the technical and social dimensions of the camera operator’s role, this study offers insights into how technology mediates social interactions and the construction of space in visual research.